Joe Kiney Whitmore · The Penthouse · Spinners Mill · Leigh
A few hours in the studio. Tea, conversation, oil paint. You leave with a portrait made on the day, in the room, of you.
Reserve Your SittingYou arrive at the studio at Spinners Mill. I put the kettle on. We figure out where you want to sit, how the light falls, what music you want on. Then I paint you.
It's not a photoshoot. It's not a formal commission with months of back-and-forth. It's a few hours in a room together — and at the end of it, there's a painting that wouldn't exist without that specific afternoon.
The afternoon tends to take on a life of its own.
A portrait sitting is as much about the person holding the brush as what ends up on the canvas. This is who you'd be spending the afternoon with.
Oil painter. Based at The Penthouse, Spinners Mill, Leigh.
I've been painting people from life for over a decade — in studios, at life drawing sessions, on the street, and in people's homes. The human face is what I keep coming back to. There's always more there than you expect.
My wider practice takes in large-scale figurative work, performance, and installation — but portrait painting is where the practice started, and it remains the thing I find most demanding and most rewarding in equal measure.
I run The Penthouse as a working studio and occasional event space at Spinners Mill — one of the finest artist studios in the North West.
Francis, oil on traditionally prepared wooden panel — Permanently acquired by The Drumcroon Collection, Wigan, 2025
Studio portrait sittings · Private commissions · Mobile sittings across the North West · Corporate and institutional commissions
A painted portrait is one of the few things you can buy that genuinely gets more valuable with time.
Not financially — though sometimes that too — but in the way it sits in a family. The grandmother on the wall. The portrait of your father at forty that your kids will grow up knowing. There's nothing else quite like it in a home.
People spend £300 on a meal, on a jacket, on a weekend away. Those things are gone. A portrait painted from life, in oil, in a studio, on a specific afternoon — that's still there in fifty years.
It's a gift for yourself. It's a gift for the people who come after you. And it makes an extraordinary present for someone you love — something three siblings might quietly split between them for their mother's birthday, and she'll have on her wall for the rest of her life.
Oil on canvas or board, painted directly from observation. The same process painters have used for five hundred years — because it still produces the best results.
Not a print. Not a photograph. A unique, original painting — one object that exists once, of a specific person, on a specific day.
Every person who sees it in your home will ask about it. Where was it painted? Who's the artist? How long did it take? The afternoon becomes part of what the painting is.
The proper version. Long enough to settle in, to get past the self-consciousness, to end up with something that actually looks like you.
Multiple sittings, a larger canvas, more time. Where necessary, photographic reference can be used to complete the work. For when you want the painting to be the thing — not just a record of an afternoon.
I travel to you — your home, your estate, your boardroom. Painted in your own environment, your own light. The whole process shaped around you and your space.
Spinners Mill, Leigh. I'll send directions when you book. Come up, knock, I'll be in. Kettle goes straight on.
We work out where you want to sit, get the lighting right. Music on or off — whatever suits you. Have a look around if you like. Most people relax once the painting starts.
Talk, don't talk, look at your phone, stare out the window. I do the watching for both of us. It doesn't have to feel significant — it just is.
When I'm done, I'll turn it round. You take it home that day. It's yours.
"I wasn't sure what to expect from a portrait sitting at first, but it turned out to be a truly special experience. Joe made the session feel natural and relaxed, the conversations flowed and his ability to observe and capture small details was remarkable. Seeing the portrait develop over the hours of the sitting was fascinating, and the final piece is something I'll treasure for years."
— Portrait sitting, 2024
"Commissioned Joe for a portrait of my partner, our dogs and I. He did an amazing job — a piece of art we will cherish forever."
— Mike Kay ★★★★★
"We have 3 paintings that Joe has done. He has done a portrait of both my and my husband's mum. They are brilliant, the likeness is fantastic. Can definitely recommend Joe's art."
— Clare Beardmore ★★★★★
"Big fan of Joe's work and more than pleased with the excellent portrait piece that was done for me last Christmas."
— Martin Worthington ★★★★★
"I was impressed by what he managed to achieve in one sitting, with what for me was a pleasing result."
— Richard, portrait sitting
"Joe talked occasionally as he worked and created a safe place to respond. His portrait was observant, perceptive and authentic."
— David, portrait sitting
I take a limited number of sittings to keep the work what it should be. Fill in the form and I'll come back to you within a couple of days to sort a date.